When fashion designer Tom Ford announced that he would be taking some time out of running his global fashion brand
to spend time working on his directorial debut ‘A Single Man’ he was met with mixed responses.
The fashion world being eager to discover how Ford’s polished design aesthetic would
translate onto the big screen welcomed the idea.
Film critics however met the news with somewhat bated breath and prepared for an art house film
that was all sight and no substance.
‘A Single Man’ chronicles a day in the life of George Falconer (Colin Firth),
a gay English professor living in the 1960’s,
who is contemplating his own existence after his partner of ten years Jim dies in a car crash.
Falling into a spiral of depression as Jim’s family were not going to tell George of the death and ban him from attending the funeral.
These people include Carlos, played by John Kortajarena (who modelled in one of Ford’s campaigns),
a Spanish immigrant and gigolo recently arrived in Los Angeles.

Model/actor John Kortajarena plays a male gigolo in the film and also starred in one of Ford's add campaigns.
Previous muse of Ford’s Julianne Moore co stars as the glamorous but troubled beehive bearing Charley,
his best friend and ex from England who is eager to rekindle their old romance despite Falconer’s sexual preference.
Whilst temptation comes in the form of Nicholas Holt who plays Kenny Potter,
a tempestuous yet troubling student of his who seems to be interested in his professor for reasons beyond his English class.
The fashions throughout clearly reflect the 1960’s timeline but similarly work hand in hand
with tom Ford’s design point of view.
The film being set over a single day somewhat limits the amount of outfits ford
and his costume departments could work with,
however the use of flashbacks coupled with the over-arching narrative give a subtle
yet highly stylised view into the fashions worn during the 1960’s.

Isabel de Pedro dress with overcloak is a modern version of the one Julianne Moore wears in the film. Click here to see more Isabel de Pedro.
Firth’s character’s (dressed entirely in Tom Ford) clean lines and tailoring are contrasted with his inner torment.
Charley’s (Moore) colour blocked shift dress with overcloak screams 1960’s
sophisticated glamour that is reminiscent of Halston in it’s heyday.

Aneya Rayon 60's inspired shift dress from Twenty8Twelve by Sienna Miller's new collection. Click here to see more.


























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